{"id":112,"date":"2026-02-16T14:18:56","date_gmt":"2026-02-16T14:18:56","guid":{"rendered":"https:\/\/leadedola.fr\/?page_id=112"},"modified":"2026-02-18T10:03:59","modified_gmt":"2026-02-18T10:03:59","slug":"speaker-2","status":"publish","type":"page","link":"https:\/\/leadedola.fr\/index.php\/speaker-2\/","title":{"rendered":"Speaker"},"content":{"rendered":"\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-cover has-custom-content-position is-position-bottom-right has-aspect-ratio\" style=\"border-style:none;border-width:0px;border-top-left-radius:60px;border-top-right-radius:60px;border-bottom-left-radius:60px;border-bottom-right-radius:60px;margin-top:0;margin-bottom:0;padding-right:var(--wp--preset--spacing--60);padding-left:var(--wp--preset--spacing--60);aspect-ratio:16\/9;min-height:unset;\"><img decoding=\"async\" class=\"wp-block-cover__image-background wp-image-303\" alt=\"\" src=\"https:\/\/leadedola.fr\/wp-content\/uploads\/2026\/02\/112.jpg\" data-object-fit=\"cover\"\/><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-10 has-background-dim\"><\/span><div class=\"wp-block-cover__inner-container is-layout-flow wp-container-core-cover-is-layout-aca8e719 wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-small-font-size\">&#8220;\u00catre au corps&#8221;, Centrale Supelec, 2025<\/p>\n<\/div><\/div>\n\n\n\n<pre class=\"wp-block-verse\"><strong>Selected Talks<\/strong><\/pre>\n\n\n\n<pre class=\"wp-block-verse has-small-font-size\"><strong>2026<\/strong><br><br>-\u201cArt, Digital Technology and Mental Ecology: What Relationship(s)?\u201d (panel discussion), <em>Acceleration Day of the PEPR ICCARE: Creation in Digital Environments and Low-Tech Approaches<\/em>, P\u00f4le Pixel, March 9\u201310, 2026.<br><br>- \u201cImmersive Art as a Space of Attention, Presence and Emotional Escape\u201d (panel discussion), <em>Study Day: Arts, Health, Social Protection<\/em>, CHU de Nantes, February 11, 2026.<\/pre>\n\n\n\n<pre class=\"wp-block-verse has-small-font-size\"><strong>2025<\/strong><br><br>- \u201cDigital Emotions: Being in the Virtual\u201d (keynote), <em>Raisonner\/R\u00e9sonner 2025<\/em>, organized by the e-sas laboratory, CentraleSup\u00e9lec, Gif-sur-Yvette, December 11, 2025.<br><br>- \u201cSensitive Devices and Mirrored Corporealities: An Overview of Research-Creation around Digital Emotions\u201d (visiting scholar), 1P1 Laboratory, Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al (UQAM), December 8, 2025.<br><br>- \u201cEmotions and Interaction\u201d (keynote), Month of Impact: Immersive Promises, Le Lab. Creative Schools, Rennes, November 21, 2025.<br><br>- \u201cCreating with the Heart: How Emotional Interfacing Reinvents the Writing of Contemporary Artworks\u201d (keynote),<em> Interfaceing 2025<\/em>, Conference Embodied Experience, Emotions &amp; Creativity, Dogus University, Istanbul, September 17\u201319, 2025.<br><br>- \u201cBeing in the Virtual\u201d (panel discussion), New Images Festival, Paris, April 9\u201311, 2025.<\/pre>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>2024<\/strong><\/summary>\n<p class=\"has-small-font-size\">-\u201cInterfacing Emotions in Contemporary Circus Performance\u201d (keynote), <em>Theatre Computing Days<\/em>, Universit\u00e9 d\u2019Avignon, Avignon.<\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>2023<\/strong><\/summary>\n<p class=\"has-small-font-size\">&#8211; \u201cDigital Caf\u00e9 \u2013 Hybridizations: Nature, Body (Emotions) and Technology\u201d (keynote), <em>PopSciences Festival<\/em>, Maison du Livre, de l\u2019Image et du Son,, Villeurbanne.<\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>2021<\/strong><\/summary>\n<p class=\"has-small-font-size\">&#8211; \u201cCan Immersion Be Conceived as a System? The Case of the Transmedia Development of Film Works in Virtual Reality\u201d (keynote), <em>From Immersion to Cinema<\/em>, Universit\u00e9 de Rennes.<br><br>&#8211; \u201cUpdating the Heterotopic Notion in the Digital Age: What about the \u2018Counter-Spaces\u2019 of Virtual Reality?\u201d (keynote), <em>Modernity of Heterotopias<\/em>, Universit\u00e9 de Besan\u00e7on.<br><br>&#8211; &#8220;Connections Between the Video Game Sector and Other Socio-Economic Spheres\u201d (panel discussion), moderated by Simon Bitaudeau, organized by H7 and Game Only, Lyon.<\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><strong>2020<\/strong><\/summary>\n<p class=\"has-small-font-size\">&#8211; \u201cDeepening Immersion and Emotional Interaction (4I\u00b2) in Virtual Reality\u201d (keynote), <em>UBIQ #1<\/em>, ENSAD Valenciennes.<br><br>&#8211; \u201cPhenomenology of Science-Fictional Temporalities in Virtual Reality: A New Access to the Genre\u201d (keynote), <em>What TIME Is It?<\/em>, Prism.CNRS, Transdisciplinary Study Day, Marseille.<\/p>\n<\/details>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Selected Talks 2026-\u201cArt, Digital Technology and Mental Ecology: What Relationship(s)?\u201d (panel discussion), Acceleration Day of the PEPR ICCARE: Creation in Digital Environments and Low-Tech Approaches, P\u00f4le Pixel, March 9\u201310, 2026.- \u201cImmersive Art as a Space of Attention, Presence and Emotional Escape\u201d (panel discussion), Study Day: Arts, Health, Social Protection, CHU de Nantes, February 11, 2026. 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