{"id":18,"date":"2026-02-16T12:43:53","date_gmt":"2026-02-16T12:43:53","guid":{"rendered":"https:\/\/leadedola.fr\/?page_id=18"},"modified":"2026-02-18T09:10:09","modified_gmt":"2026-02-18T09:10:09","slug":"speaker","status":"publish","type":"page","link":"https:\/\/leadedola.fr\/index.php\/speaker\/","title":{"rendered":"Publications"},"content":{"rendered":"\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<pre class=\"wp-block-verse\"><strong>Book<\/strong><\/pre>\n\n\n\n<figure class=\"wp-block-image size-full has-custom-border\"><a href=\"https:\/\/www.pressesdesmines.com\/produit\/les-emotions-dans-les-creations-artistiques\/\" target=\"_blank\" rel=\" noreferrer noopener\"><img fetchpriority=\"high\" decoding=\"async\" width=\"2558\" height=\"2560\" src=\"https:\/\/leadedola.fr\/wp-content\/uploads\/2026\/02\/photo2-scaled.png\" alt=\"\" class=\"wp-image-150\" style=\"border-top-left-radius:78px;border-top-right-radius:78px;border-bottom-left-radius:78px;border-bottom-right-radius:78px;aspect-ratio:0.9992193598750976\" srcset=\"https:\/\/leadedola.fr\/wp-content\/uploads\/2026\/02\/photo2-scaled.png 2558w, https:\/\/leadedola.fr\/wp-content\/uploads\/2026\/02\/photo2-300x300.png 300w, https:\/\/leadedola.fr\/wp-content\/uploads\/2026\/02\/photo2-1024x1024.png 1024w, https:\/\/leadedola.fr\/wp-content\/uploads\/2026\/02\/photo2-150x150.png 150w, https:\/\/leadedola.fr\/wp-content\/uploads\/2026\/02\/photo2-768x768.png 768w\" sizes=\"(max-width: 2558px) 100vw, 2558px\" \/><\/a><\/figure>\n\n\n\n<pre class=\"wp-block-verse has-medium-font-size\"><strong>Selected contributions<\/strong> <em>(linked)<\/em><\/pre>\n\n\n\n<p class=\"has-small-font-size\"><a href=\"https:\/\/hal.science\/hal-05138653\" data-type=\"link\" data-id=\"https:\/\/hal.science\/hal-05138653\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-secondary-color\">Article :<\/mark> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\">&#8220;The Interfacing of Emotions in Contemporary Circus Performance\u201d, Theatrical Computer Science Days, University of Avignon, Avignon, <em>PROCEEDINGS<\/em>, Sept. 2025<\/mark><\/a>, <a href=\"https:\/\/www.pressesdesmines.com\/produit\/les-emotions-dans-les-creations-artistiques\/\" data-type=\"link\" data-id=\"https:\/\/www.pressesdesmines.com\/produit\/les-emotions-dans-les-creations-artistiques\/\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\">(French)<\/mark><\/a>.<\/p>\n\n\n\n<p class=\"has-small-font-size\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-secondary-color\">Chapter :<\/mark> <a href=\"https:\/\/pur-editions.fr\/product\/9986\/de-l-immersion-au-cinema\" data-type=\"link\" data-id=\"https:\/\/pur-editions.fr\/product\/9986\/de-l-immersion-au-cinema\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\">&#8220;Can immersion be conceived as a system?&#8221;, <em>Immersion in Cinema<\/em>, Marc Christie, Jean-Baptiste Massuet, Gregory Wallet (dirs.), Presses Universitaire de Rennes, 2025<\/mark><\/a>, <a href=\"https:\/\/www.pressesdesmines.com\/produit\/les-emotions-dans-les-creations-artistiques\/\" data-type=\"link\" data-id=\"https:\/\/www.pressesdesmines.com\/produit\/les-emotions-dans-les-creations-artistiques\/\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\">(French)<\/mark><\/a>.<br><br><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-secondary-color\">Book : <\/mark><a href=\"https:\/\/www.pressesdesmines.com\/produit\/les-emotions-dans-les-creations-artistiques\/\" data-type=\"link\" data-id=\"https:\/\/www.pressesdesmines.com\/produit\/les-emotions-dans-les-creations-artistiques\/\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\">by L\u00e9a DEDOLA et Philippe FUCHS, <em>Emotions in Artistic Creations : Digital Arts and VR Films<\/em>, Presses des Mines Paris-Tech, 2024, (French). <\/mark><\/a><br><br><a href=\"https:\/\/theses.hal.science\/tel-04355234v1\" data-type=\"link\" data-id=\"https:\/\/theses.hal.science\/tel-04355234v1\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-secondary-color\">Thesis<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\">: &#8220;Artistic creation with immersion and emotional interaction: digital arts, cinema, video games and virtual reality&#8221;, <em>Thesis<\/em>, Lumi\u00e8re University Lyon 2, (dir. Martin Barnier, Philippe Fuchs), Dec. 2022<\/mark><\/a>, <a href=\"https:\/\/www.pressesdesmines.com\/produit\/les-emotions-dans-les-creations-artistiques\/\" data-type=\"link\" data-id=\"https:\/\/www.pressesdesmines.com\/produit\/les-emotions-dans-les-creations-artistiques\/\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\">(French)<\/mark><\/a>.<\/p>\n\n\n\n<p class=\"has-small-font-size\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-secondary-color\">Article :<\/mark> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\">&#8220;<\/mark><a href=\"https:\/\/dr.library.brocku.ca\/bitstream\/handle\/10464\/15575\/I%26I_2021.pdf?sequence=1&amp;isAllowed=y\" data-type=\"link\" data-id=\"https:\/\/dr.library.brocku.ca\/bitstream\/handle\/10464\/15575\/I%26I_2021.pdf?sequence=1&amp;isAllowed=y\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\">Modalities and Challenges of Heritage Experience in Virtual Reality : Reflections on the Receiving Body&#8221;, <em>Small Walker Press<\/em>, (Carmela Colella, Tamara El-Hoss, Catherine Parayre, Eds.), Jan. 2022, p. 116-128, (French\/English).<\/mark><\/a><br><br><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-secondary-color\">Article :<\/mark> &#8220;<a href=\"https:\/\/savoirsenprisme.univ-reims.fr\/index.php\/sep\/issue\/view\/13\" data-type=\"link\" data-id=\"https:\/\/savoirsenprisme.univ-reims.fr\/index.php\/sep\/issue\/view\/13\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\">The Biofeedback Loop and Interactive Artworks : What Emotional Shaping of the Self ?&#8221;, <em>Savoir en Prisme, <\/em>No. 13<em>: <\/em>Autopoiesis. Fictions of the self or the art of creating oneself, (Carmen Cort\u00e9s-Zaborras, Ed.), June 2021, p. 137-158, (French).<\/mark><\/a><br><br><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-secondary-color\">Chapter :<\/mark> &#8220;<a href=\"https:\/\/www.festivalcinefantaelx.com\/wp-content\/uploads\/2020\/07\/Space_Fiction_Portada_contraportada_Indice_Cap.1.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\">Esthetic mutations in Science Fiction and Space through the Use of Virtual Reality&#8221;, <em>Space Fiction, Visiones de lo cosmico en la ciencia-ficcion<\/em>, (Mario-Paul Martinez, Fran Mateu y Miguel Herrero Herrero Eds. and Coords.), June 2020, p. 127-140<\/mark><\/a>, (Spanish).<br><br><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-secondary-color\">Article :<\/mark> <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\">&#8220;<\/mark><a href=\"https:\/\/f-origin.hypotheses.org\/wp-content\/blogs.dir\/956\/files\/2020\/02\/missile7_web_pages.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\">Foundations and Limits of the Virtual Reality Environment : What Aesthetic Concequences ?&#8221;, <em>Missiles n\u00b07 : Fronti\u00e8re(s)<\/em>, (Emmanuel Boldrini, Charlotte Limonne, Bastien Mouchet Virginie Pfeiffer Eds.), Dec. 2019, p. 21-26<\/mark><\/a><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\">, (French).<\/mark><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Book Selected contributions (linked) Article : &#8220;The Interfacing of Emotions in Contemporary Circus Performance\u201d, Theatrical Computer Science Days, University of Avignon, Avignon, PROCEEDINGS, Sept. 2025, (French). Chapter : &#8220;Can immersion be conceived as a system?&#8221;, Immersion in Cinema, Marc Christie, Jean-Baptiste Massuet, Gregory Wallet (dirs.), Presses Universitaire de Rennes, 2025, (French). Book : by L\u00e9a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-18","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/leadedola.fr\/index.php\/wp-json\/wp\/v2\/pages\/18","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leadedola.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/leadedola.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/leadedola.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/leadedola.fr\/index.php\/wp-json\/wp\/v2\/comments?post=18"}],"version-history":[{"count":36,"href":"https:\/\/leadedola.fr\/index.php\/wp-json\/wp\/v2\/pages\/18\/revisions"}],"predecessor-version":[{"id":799,"href":"https:\/\/leadedola.fr\/index.php\/wp-json\/wp\/v2\/pages\/18\/revisions\/799"}],"wp:attachment":[{"href":"https:\/\/leadedola.fr\/index.php\/wp-json\/wp\/v2\/media?parent=18"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}