{"id":41,"date":"2026-02-16T13:01:22","date_gmt":"2026-02-16T13:01:22","guid":{"rendered":"https:\/\/leadedola.fr\/?page_id=41"},"modified":"2026-02-18T11:19:45","modified_gmt":"2026-02-18T11:19:45","slug":"bio","status":"publish","type":"page","link":"https:\/\/leadedola.fr\/index.php\/bio\/","title":{"rendered":"Bio"},"content":{"rendered":"\n<div style=\"height:108px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<pre class=\"wp-block-verse has-small-font-size\">Graduated in audiovisual studies at Lumi\u00e8re Lyon 2 University , L\u00e9a has progressively oriented her practice towards <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\">virtual arts and hybrid systems, adopting an approach focused on digital emotions. <\/mark>Her research-creation path articulates <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\">sensitive interfaces and explores human subjectivity through artistic processes.<\/mark><br><br>Her research particularly focuses on friction zones between bodies and the <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\">\u201cnew\u201d media, considered as creative materials, emotions as vectors, and society as a framework for these interactions.<\/mark> Artistic creation constitutes for her a means of research, experimentation, and expression within these contact zones... <br><br>She published a book, <em>Les \u00e9motions dans les cr\u00e9ations artistiques <\/em>(Presses des Mines, 2024), which synthesizes her work.<br><br>She teaches at university and in art schools and works on new media bodies (physiological interfaces, wearables), as well as innovation and research-creation processes.<\/pre>\n\n\n\n<pre class=\"wp-block-verse\" style=\"font-size:clamp(0.875rem, 0.875rem + ((1vw - 0.2rem) * 0.294), 1rem);\"><strong>Selected<\/strong> <strong>Interviews<\/strong> <em>(linked)<\/em><br><br><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\">-<\/mark> <a href=\"https:\/\/www.univ-lyon2.fr\/recherche\/magazine\/numero-1\/tete-a-tete-avec-lea-dedola\" data-type=\"link\" data-id=\"https:\/\/www.univ-lyon2.fr\/recherche\/magazine\/numero-1\/tete-a-tete-avec-lea-dedola\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\">\u00c9meline de Suremain, \u201cFace-to-Face with L\u00e9a Dedola\u201d, Rchrch No. 1, pp. 40\u201341. <\/mark><\/a><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\"><br><br>-<\/mark><a href=\"https:\/\/jeu.video\/article\/derriere-lecran-lea-dedola-doctorante-realite-virtuelle-vr-cest-creer-environnements-extraordinaires-etats-detre-extraordinaires\" data-type=\"link\" data-id=\"https:\/\/jeu.video\/article\/derriere-lecran-lea-dedola-doctorante-realite-virtuelle-vr-cest-creer-environnements-extraordinaires-etats-detre-extraordinaires\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\"> Phebus, \u201cBehind the Screen \u2013 L\u00e9a Dedola, PhD Candidate in Virtual Reality: VR Is About Creating Extraordinary Environments, but Also Extraordinary States of Being\u201d, jeu.video.<\/mark><\/a><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\"><br><br><\/mark><a href=\"https:\/\/fisheyeimmersive.com\/article\/lea-dedola-les-emotions-permettent-de-reagir-instantanement-a-une-experience\/\" data-type=\"link\" data-id=\"https:\/\/fisheyeimmersive.com\/article\/lea-dedola-les-emotions-permettent-de-reagir-instantanement-a-une-experience\/\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\">- Maxime Delcourt, \u201cXR Art Cannot Be Limited to the Impact of Technology on the Human Body\u201d, Fisheye Immersive.<\/mark><\/a><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\"><br><br><\/mark><a href=\"https:\/\/quaidessavoirs.toulouse-metropole.fr\/2025\/01\/10\/lemotion-comme-donnee-scenique-fheel-concepts\/\" data-type=\"link\" data-id=\"https:\/\/quaidessavoirs.toulouse-metropole.fr\/2025\/01\/10\/lemotion-comme-donnee-scenique-fheel-concepts\/\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\">- Le Quai des Savoirs, \u201c3 Questions for L\u00e9a Dedola on Emotional Synchrony\u201d, Quai des Savoirs Podcast<\/mark><\/a><a href=\"https:\/\/smartlink.ausha.co\/lumieres-sur-le-quai\/3-questions-sur-la-synchronisation-des-emotions\" data-type=\"link\" data-id=\"https:\/\/smartlink.ausha.co\/lumieres-sur-le-quai\/3-questions-sur-la-synchronisation-des-emotions\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\"> (podcast link).<\/mark><\/a><a href=\"https:\/\/quaidessavoirs.toulouse-metropole.fr\/2025\/01\/10\/lemotion-comme-donnee-scenique-fheel-concepts\/\" data-type=\"link\" data-id=\"https:\/\/quaidessavoirs.toulouse-metropole.fr\/2025\/01\/10\/lemotion-comme-donnee-scenique-fheel-concepts\/\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\"> <\/mark><\/a><br><br><a href=\"https:\/\/hacnumedia.org\/immersion-et-empathie-sont-elles-bonnes-amies\/\" data-type=\"link\" data-id=\"https:\/\/hacnumedia.org\/immersion-et-empathie-sont-elles-bonnes-amies\/\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-primary-color\">- Adrien Cornelissen, \u201cAre Immersion and Empathy Good Friends?\u201d, Hacnumedia.<\/mark><\/a><\/pre>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Graduated in audiovisual studies at Lumi\u00e8re Lyon 2 University , L\u00e9a has progressively oriented her practice towards virtual arts and hybrid systems, adopting an approach focused on digital emotions. Her research-creation path articulates sensitive interfaces and explores human subjectivity through artistic processes.Her research particularly focuses on friction zones between bodies and the \u201cnew\u201d media, considered [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-41","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/leadedola.fr\/index.php\/wp-json\/wp\/v2\/pages\/41","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leadedola.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/leadedola.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/leadedola.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/leadedola.fr\/index.php\/wp-json\/wp\/v2\/comments?post=41"}],"version-history":[{"count":37,"href":"https:\/\/leadedola.fr\/index.php\/wp-json\/wp\/v2\/pages\/41\/revisions"}],"predecessor-version":[{"id":925,"href":"https:\/\/leadedola.fr\/index.php\/wp-json\/wp\/v2\/pages\/41\/revisions\/925"}],"wp:attachment":[{"href":"https:\/\/leadedola.fr\/index.php\/wp-json\/wp\/v2\/media?parent=41"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}